CRISIS OF REPRESENTATION IN MODERN ART
As it is known, a series of changes in the 20th century have changed our perception of reality and deeply influenced our judgments and patterns related to art. This process, dating back to the early 1960s, gained momentum from the 1950s, and dominated the artistic panorama bya heterogeneous and increasingly chaotic structure.
As part of the modern world, with the claim that it could grasp the reality, modern art, shortly after its the emergence, realized that this assertion was not easy and attempted endless experimental efforts in an attempt to capture reality. The result of these efforts has experienced the fact that it is almost impossible to represent reality on an artistic surface, and then it has entered into a crisis within an abundance of styles and methods. Although this crisis has different aspects, this crisis is generally called the crisis of representation.
ERGÜVEN, MEHMET., “Biçim ve Oluş”, Sanat Dünyamız Yapı Kredi Yay, Sayı:67
GENÇ, ADEM., ( 1983), Dada Antropi ve Nedensellik Açısından Dadacı Sanat Hareketlerinin Çözümlenmesine İlişkin Bir Yöntem Araştırması, Dokuz Eylül Üniv. G.S.F. yay., Doktora tezi, İzmir
HARVEY, DAVİD., (2006). Postmodernliğin Durumu: Kültürel Kökenlerin Değişimi, (Çev. Sungur Savran), Metis Yayınları, İstanbul
HAUSE, ARNOLD. R., (1984), Sanatın Toplumsal Tarihi, Çev. Yıldız Gölönü, Remzi Kitabevi yay., İst. 1984, s.405
JAMESON, LYOTARD,HABERMAS., (1994), Postmodernizm,Haz: Necmi Zeka, Kıyı Yayınları, İstanbul
KAHRAMAN, HASAN BÜLENT., (1991), “Sanatta Konvansiyonel-Tradisyonel İlişkisine Bakışlar”, Hürriyet Gösteri, S: 124
KAVRAKOĞLU, FÜSUN., (2014) , Modern Sanat Akımları, https://fusunkavrakoglu.com/tag/modern-sanat-akimlari/
SAN, İNCİ., (1979), Sanatsal Yaratma Çocukta Yaratıcılık, Türkiye İş Bankası Kültür Yayınları, İstanbul
TUNALI, İSMAİL., (1983), Felsefenin Işığında Modern Resim, Remzi Kitabevi, İstanbul
Copyright (c) 2019 Rating Academy Ar-Ge Yazılım Yayıncılık Eğitim Danışmanlık ve Organizasyon Ticaret Ltd. Şti
This work is licensed under a Creative Commons Attribution-NoDerivatives 4.0 International License.
When the article is accepted for publication in the Journal of Arts, authors transfer all copyright in the article to the Rating Academy Ar-Ge Yazılım Yayıncılık Eğitim Danışmanlık ve Organizasyon Ticaret Ltd. Şti.The authors reserve all proprietary right other than copyright, such as patent rights.
Everyone who is listed as an author in this article should have made a substantial, direct, intellectual contribution to the work and should take public responsibility for it.
This paper contains works that have not previously published or not under consideration for publication in other journals.