PUPPET AS A FORM OF EXPRESSION IN CONTEMPORARY PERFORMING ARTS
Puppet theater is a kind of presentation in which conventionally puppets represent fictional characters therefore they replace actors on stage. Even though a conventional staging incapsulates puppets standing for a specific character is continuing; 20th century provided a transformation in staging. The alteration of all art disciplines together with Avant-garde movements, technological advancements and evolution of communication provide a base for this transformation. Hence both companies experienced a variety of experimental practice and interdisciplinary practices occurred that led by different performing arts. This paper, reveal puppetry’s place in contemporary performing arts as a form of expression.
Key words: Puppet, expression, contemporary, theater
BARTHES, Roland (2002). S/Z. New York: Blackwell.
CRAIG, Edward Gordon (1957). On The Art of The Theater . London: Heinemann.
CÜCELOĞLU, Doğan (1997). İnsan ve Davranışı. İstanbul: Remzi Kitabevi.
FISKE, John (1996). İletişim Çalışmalarına Giriş. Ankara: Bilim ve Sanat Yayınları/Ark.
GÜNAY, Doğan (2012). “Görsel Göstergebilim ve İmgenin Anlamlandırılması”, Görsel Göstergebilim (Ed. V. Doğan Günay ve Alev F. Parsa), İstanbul: Es Yayınları, ss. 11-55.
HAYLER, Matt (2016). “Another Way of Looking: Reflexive Technologies and How They Change the World”, Theatre, Performance and Cognition (Ed. Rhonda Blair ve Amy Cook), London: Bloomsbury Methuen Drama Publishing, ss. 159-173.
HEGGEN, Claire, MARC, Yves (2017). Théâtre Du Mouvement. Montpellier: Deuxième époque .
JURKOWSKI, Henryk (2000). Métamorphosis. Charleville-Mézières: Institut International De La Marionnette.
KEPES, Gyorgy (1969). Language of Vision. Chicago: Paul Theobald and Company .
LAKOFF, George, NUNEZ, Rafael (2000). Where Mathematics Come From: How The Embodied Mind Brings Mathematics Into Being. New York: Basic Books.
LAUER, David A., PENTAK, Stephen (2012). Design Basics, Boston: Wadsworth Cengage Learning.
LECOQ, Jacques (2015). Şiirsel Beden Yaratıcı Tiyatro Eğitimi. Ankara: Nota Bene Yayınları.
MCCORMICK, John, PRATASIC, Bennie (2004). Popular Puppet Theater in Europe 1800-1914. Cambridge: Cambridge University Press.
MCPHARLAIN, Paul (1969). The Puppet Theater in America. Boston: Plays Inc.
MESCHKE, Michael (1992). In Search of Aesthetics for the Puppet Theater. New Delhi: Sterling.
MEHRABIAN, Albert (1971). Silent Language. Belmont, California: Wadsworth Publishing Company Inc.
OBRAZTSOV, Sergei (1985). My Profession. Moscow: Raduga Publishers.
OMMANNEY, Katherine Anne ve OMMANNEY, Pierce C. (1950). The Stage & The School. New York: McGraw-Hill Book Company Inc.
ÖZDEMİR, Ali (2012). Beden Dili Etkili İletişim Etkili Konuşma. Ankara: Altınpost Yayıncılık.
TILLIS, Steve (1992). Toward an Aesthetics of The Puppet. Westport: Grennwood Press.
TILROE, Nikki (1996). Movement in Puppetry Performance. Bicester,Oxon: DaSilva Puppet Books.
VOGELS, Frits (1998). “Following Indications of Space and Objects of Movement Theater on Specific Sites”. BLUM, Lambert, HEGGEN, Claire, VOGELS , Frits, TEMPLERAUD, Jacques, HENRY, Philippe, CÉLAIS, Jean-Paul, STEIJN, Robert, LEEKER, Martina. Blue Report 6: Object Theatre Body and Object. Amsterdam: Theater Instituut Nederland
WANROOY, Willem (1995). Figures in Motion. Willem Wanrooy.
WANROOY, Willem (1996a). The Theatrical Inanimate. Unknown: Wanrooy, Willem.
WANROOY, Willem (1996b). Figures in Motion: A Treatise. Willem F. Wanrooy.
La Compagnie l'Alinéa (2017). Le Blog de la Cie l'Alinéa. Retrieved from http://ciealinea.blogspot.com: http://ciealinea.blogspot.com/p/petites-histoires-sans-paroles.html [04.07.2017]
Theatre du Mouvement (2017). http://theatredumouvement.fr/en/philosophy/
Copyright (c) 2019 Rating Academy Ar-Ge Yazılım Yayıncılık Eğitim Danışmanlık ve Organizasyon Ticaret Ltd. Şti
This work is licensed under a Creative Commons Attribution-NoDerivatives 4.0 International License.
When the article is accepted for publication in the Journal of Arts, authors transfer all copyright in the article to the Rating Academy Ar-Ge Yazılım Yayıncılık Eğitim Danışmanlık ve Organizasyon Ticaret Ltd. Şti.The authors reserve all proprietary right other than copyright, such as patent rights.
Everyone who is listed as an author in this article should have made a substantial, direct, intellectual contribution to the work and should take public responsibility for it.
This paper contains works that have not previously published or not under consideration for publication in other journals.